Mo Cahill

Contact Information

Education
- 1974-1976 Waubonsee Community College, Sugar Grove, IL, Major: Science, Liberal Arts
- 1978-1981 Apprentice Carpenter, Fox Valley District Council of Carpenters, Chicago District Council of Carpenters
- 1983-1985 School of the Art Institute of Chicago, ceramics, drawing

Work Experience
- 2000 Set design and construction for “Nobody Likes Retsina” by Barbara Georgans, Jon Steinhagen & Phillip Seward - The Community Arts Center at St. James
- 1999–present The Community Arts Center at St. James - teaching “Fine Arts for Children”
- Cook - prep and line cook including the 95th and Gordon Restaurants
- Lab Technician - food plant quality control, metallurgical research and development

Personal
Born, Aurora, Illinois, sixth of seven children. Since leaving SAIC: raising 5 children, along with my husband of 20 years, including 8 years of homeschooling. S-l-o-w-l-y remodeling and down-converting my 100 year-old rogers park two-flat by my own designs.

ContaBiography
My current favorite joke is this: a buddhist walks up to a hotdog vendor and says “make me one with everything.” This joke appeals to me because I think I have taken a similarly pedestrian path. Perhaps even more lowly than hot dogs, that is, for the last 15 years I have been a full time mom. As a junior at the School of the Art Institute, finding myself expecting, still struggling to knit together a child from a previous marriage and a second husband into a family, I felt I had a life and death decision on my hands. I was a child of the women’s movement, indeed, an ardent feminist. I knew I could keep on with my career. But having tried that once, I knew there was a price to pay. I knew that putting myself first was not a ticket to happiness, but an invitation to tough choices, hard work and intense pain. As an artist, I also knew that my decisions would be staring back at me through my work forever.
But above all, I knew that being a full time mom, watching every day as these little ape-men turned into modern humans, was a worm’s eye view of human evolution and the core of what it means to be human. Although I was well aware of the low value placed on all this in the modern world, I also knew that there was a great deal of wisdom down this path, wisdom that I knew would inform my work. I often explain my decision by saying that there were no openings with Jane Goodall, watching chimpanzees, so I started my own little troop of primates. I did feel like an idiot, knowing that almost any gorilla can form a stable family, but few humans, myself included, can manage it. And when my son taught me that the first thing a new human needs is someone to fall in love with them, I felt that the comforts and stuff of modern life were worth very little.
Now, don’t get the wrong idea. I’m not a spiritual seeker, in fact I am a devout atheist. I was really on a more philosophical and intellectual quest to find out what it really means to be human. I know we are biologically programmed to find satisfaction in replicating our genes, although I knew this is not enough in the modern world. But as a modern human I also was looking for my spot in the very long chain of life, my own way of being “one with everything”. I wanted to live an essential life. I didn’t anticipate at that time that I would be dropping out for so long, or that I would go on to have 5 children in all, but I am quite sure there was no other choice for me.
Although I have had little time to work over these 15 years, especially over the 8 years we spent as home schoolers, art has been an essential component of keeping my sanity and sense of self. My children are all in school now, and I have time to return to the art world. As I have more time to work I feel quite vindicated in my decisions. The life that looks back at me from my work is a beautiful and satisfying place, indeed.

Artist's Statement
before the events of sept. 11, 2001, my work was about my own life, my own family. but on that day, my eye was turned outward. especially as events have unfolded, and dissent has been squashed, i feel more and more the duty of an artist to speak the truth, pretty or no.
in addition to full scale artworks, i have turned my abilities to peace & political buttons. please see http://pinkobuttons.com for a selection of these buttons. in addition to the website, i have been a part of several peace demonstrations, in chicago and washington d.c., and have donated buttons to many others.

Selected Exhibitions
Upcoming Shows
2004 chicago art open
chicago artists’ coalition
october 10 - october 31, 2004
midwest clay guild 32 annual show and sale
november 19, 20, 21
friday nov. 19th--opening 6 p.m.-9 p.m. (food and wine!)
saturday nov. 20th--11 a.m.-6 p.m.
sunday nov. 21th--11 a.m-6 p.m.
1236 sherman ave.
evanston, il.
(847) 475-9697
2004
midwest regional members' exhibition women's caucus for art, arc gallery, chicago, il - march 31- may 1
juror: woman made gallery members show, chicago, il
2003
abstraction II, group show, high risk gallery, chicago, il
juror: woman made gallery members show, chicago, il
2002
group exhibition, (work from lifelines show) high risk gallery, 1113 w. belmont, chicago, il - 773-296-6974 - september 19 - october 19
chicago art open, 847 w. jackson, chicago, il - october 18 - 26
contributor: here is new york - a democracy of photographs
2001
home: internalized landscape, a paper mural. august 2001 at goose island brewpub, 1800 n clybourn, chicago, il. and on cta superkings
juried art fair, october 5-6, 2001 at st. andrews church, 5649 n. sheridan, chicago, il
2001
solo show, gourmand coffehouse, chicago, il
around the coyote, winter festival, chicago, il
the figure abstract, 2-person show, inclusion arts gallery, chicago, il
2000
life goes on, works on paper, northtown arts center, chicago, il.
bare walls, saic alumni fundraiser
lifelines, works on paper-solo exhibition goose island brewpub, recommended "bestbet" chicago tribune, friday guide
1999 bare walls, saic alumni fundraiser – alumni artist create works that are then sold at silent auction
1998 bare walls, saic alumni fundraiser
1997 bare walls, saic alumni fundraiser
1990 black and white, arc gallery, group show
1989 temporarily vacant, an artists co-operative group show
1984 cup show, saic ceramic department, juried exhibition

Community Service
2004 - no child left behind parent advisory council
2003 - woman made gallery board
1989 indian boundary park - robert leathers project playlot - "rainbow slide" - redone 1992, 1995, 1998
1981-1985 chicago women in trades - founding member, officer
1979-1981 chicago women carpenters - officer
1980-1984 northwest neighborhood federation / edgewater community council - committee member
1978-1980 fox valley women’s coalition - officer

Affiliation
midwest clay guild, evanston, il
woman made gallery, chicago, il

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